Tuesday, Wednesday and Friday, from April to October, from 10 am to 8 pm
Thursday, from 10 am to 9 pm
Saturday, from 10 am to 8 pm
Sunday and public holidays, from 10 am to 3 pm
Closed: Mon (except public holidays)
Parc de Montjuïc s/n, 08038 Barcelona
tel 93 4439470
fax 93 3298609 / 93 3299007
The Fundació Joan Miró (Joan Miró Foundation) exists to promote awareness of the work and personality of Joan Miró and to present exhibitions of artists from the twentieth and twenty-first centuries: an open door to the exchange of ideas and disciplines that, while always looking to the future, has both international prestige and deep roots in Catalonia.
The Fundació is located in an exceptional building designed by the architect Josep Lluís Sert. It stands in the Parc de Montjuïc, enjoying magnificent views over Barcelona, and houses the world’s largest public collection of Joan Miró paintings.
After forty years of existence, the Fundació Joan Miró (Joan Miró Foundation) is an essential point of reference for the study of Miró’s work.
Having established itself internationally as a major art institution, the Foundation also organises temporary exhibitions on all aspects of modern and contemporary art. In recent years it has put on shows devoted to Chillida, Giacometti, Warhol, Calder, Magritte, Rothko… More experimental works by younger artists have their own special area in the Espai 13, a pioneer of its kind in Barcelona.
The exhibition is a tribute to The Way Things Go, the iconic film by Peter Fischli and David Weiss, celebrating its 30th anniversary. The show includes three installations by upcoming artists and a screening of the film by the Swiss artist pair.
In The Way Things Do, Serafín Álvarez, Cécile B. Evans and Daniel Jacoby & Yu Araki offer three reinterpretations of the legendary chain reaction of objects while exploring the notions of circuits and traces, the role of objects in relation to audiences or the nature of interactions between data, machines and artificial intelligence. Curated by Serafín Álvarez and Martina Millà
From 30 June to 1 October
UPCOMING: From 28 October 2017 to 21 January 2018
The exhibition elicits a conversation between Mesopotamian art and the works of modern artists, particularly during the interwar period (1920-1945). At the same time, it aims to find an answer to the reasons for the modern fascination with the findings from the ancient Near East.
Illustrated media and the dissemination of the archaeological findings from Syria and Iraq - French and British colonies at the time - were in and of themselves sources of inspiration for modern artists. The vision and works of these artists are the visible result of their interpretation of all those documents.
The exhibition reveals how the figuration of Mesopotamian art found its way into the Western artistic imagination, and how cuneiform script was highly valued, first by Western archaeology museums and then by artists. It also addresses the ongoing legacy of the infinite compositions made with cylinder seals and the influence of Mesopotamian myths such as the Tower of Babel or the Epic of Gilgamesh, so often revisited in the West. Mesopotamian works continue to give answers to questions that were raised in the first half of the twentieth century, and possibly up until today. Curated by Pedro Azara. Follow this exhibition online: #ParadigmaSumer